Film Music Essay Example | Topics and Well Written Essays - 2500 words

Film medical specialty - Essay ExampleThe difficulty of studying the nature of the medication for motion pictures derives from the complexity of the medium. Films usually manoeuvre through a conjunction of visual and auditory signals, research into pack music requires an understanding of not unrivaled only two non-verbal systems of communication, as well as the problematical jargons with which we attempt to describe individually of them in speech ( mark, 1997, p. 3). Currently, few scholars lose mastered the field of such specialized studies as music in silent movies. Thus, I have to address that this paper has limitation based on the nail specialization of the topic. The subject of film music is neglected by researchers, because it spans between two disciplines and its material presents many problems (Marks, 1997). Unlike concert music, film music exists only as an accompaniment to the film and is not include into a repertoire. Especially in music for silent movies, the pri mary material that has to be researched is not the music, but the film itself. Consequently, the film music in silent movies has to be studies together with a profound note of the movie. Music in this sense is in the core of the research and the movie plot stays in the periphery (Marks, 1997). As we view a film, our minds must contend with the ever-changing content of the moving fig and the soundtrack. The individual elements (not just music, but also lighting, camera work, editing, and so forth) argon submerged into the flow of images on the screen. Hence the engrossed audience rarely perceives these elements consciously it is simply carried along by the stream of sights and sounds (Marks, 1997, p.4). Marks (1997) points out that most of our information about music and silent cinema dates from after 1910 earlier than that, documents are lacking and extant scores are few (p. 26). Altman (1998) observes that in the early periods of silent film musical theater theater theater accomp animent was not standard practice. He explains that the US film industry began to introduce normative musical score as accompaniment between 1908 and 1912. Altman (1998) also notes that developing the musical accompaniment was a operative part of the cinematic transformation that was taking part at that time. Efforts were made to stimulate the use of film music and to supervise its quality. Much more attention should be paid on the impact of geography into music. The urbanized east coast versus the less populated western states, the neighborhood trends versus the downtown surroundings have influenced the sound in the silent movies (Altman, 1998). Ethnicity and race and the emergence of African folklore traditions, ragtime and jazz on the musical accompaniment also placed a cornerstone in silent movies music. After the World struggle I and the disastrous flu epidemic in the 1918, the 1920s can be characterized as one of the most prosperous years in America. The 1920s are also call ed The Roaring Twenties or The Jazz Age (Blundell, n.d). After the World War I, a lot of African Americans who were living in the South, started to move North. Northern America was more industrialized and provided more employment opportunities. Thus, African Americans hoped they could make a better living. 1920s was the time when