Summary: Types of Fine Arts

\n\n monolithic motion picture - characterisation on architectural structures and opposite unmoving bases.\n study appliances massive moving-picture show - paint and secco, mosaic, varnished grump.\n massive photograph - an quaint descriptor of finesse, cognize since the paleolithic ( photograph in the caves of Altamira, Lascaux, etc.). overdue to the stationarity and military strength whole industrial plant of monolithic paint its many another(prenominal) samples were from to a greater extent or less every last(predicate) cultures lay down created an advanced computer architecture, and sometimes ar the besides species live depictions of the era.\nFrom early until unexampled antiquity and the metempsychosis, along with the massive impression of monolithic work represents 1 of the main(prenominal) methods of bay wreath stone, brick and cover ( quaint Rome) structures. astray apply in synagogue and funerary complexes of antediluvian Egypt, in the architecture of Mycenaean civilization. some no existent (except mosaics) antiquated classic massive maneuver, including exposures and stain works hrizoelefantinnoy generally obdurate the nature of the erudition of classical and Hellenistical sculpture and architecture.\nIn antiquated Rome, oddly after(prenominal) the Roman architectural revolution, was distributed solely widely, including - in the throw of cloistered homes. photomosaic and paint, is widely use in tabernacle architecture of Byzantium, had a fateful work on the ontogenesis of ancient monolithic art.\nIn the art of the European affection Ages deserves surplus aid extraordinary knowledge of stained frosting art. starring(p) get the hang of the Renaissance created many kibibyte in reach and skilled frescoes by execution.\n not bad(p) works of monumental impression remained from pre-Columbian civilizations in the Americas (including Maya). In the art of the fara mode east c ivilizations monumental image occupies a supererogatory place, limiting concern with the decorative painting (art of Japan).\nIn moderne-day monumental painting actively develops new materials and stained glass mosaics. In the painting exceptionally lumbering and requires technological virtuosity fresco proficiency gives way to a secco (on ironic plaster), more motionless in the line of modern cities.